“Lakshmi: Serene Beauty” (2016)

Page 2 of Executive Summary targeted towards potential investors for Bloqcube Inc, a pharma-tech start-up. Designed using Adobe Illustrator. Highlighted company milestones, contrasted testimonials, and drew attention to competitive advantage graphic.

Created using Adobe Illustrator during Visual Design & Digital Making Virtual Summer Intensive, co-sponsored with LITS at Bryn Mawr College. The aim of the piece was to create a logo to represent Bryn Mawr College's annual tradition of Lantern Night. Hence, the college's color scheme of navy with canary and butter yellow. A curvaceous script was drawn to bring a sense of whimsy, in line with the enchantment of lanterns aglow in the dark. Open hands show the acceptance of light and knowledge. The design of the hands was broken up to highlight the palms and fingertips, and the dispersion of light particles is shown with the circles.

Brochure designed using ink. Each piece from the concert repertoire was incorporated. For instance, "Stained Glass Windows" was a general theme, hence the entire piece is framed into a classic, Gothic window. The upper panel represents "March of the Planets," the rose beneath the planets represents the "Roses" piece, and the upper-left panel represents "La La Land: City of Stars," in which Emma Stone dances beside 5-star film ratings and a streetlight (which is reflected on the right panel's border). The upper-right panel contains Georges Bizet's "Carmen" via a sweeping skirt covered with the hearts of men who fall for Carmen. The central plum symbolizes the "Sugar Plum Fairy," the reed flutes lining the lower left and right panels' edges are from the "Dance of the Reed-Flutes," all from Tchaikovsky's "Nutcracker Suite." "March" from "Nutcracker" is combined with the "March of the Toys" piece in a soldier-teddy-bear playing piccolo on the lower right panel. "I Have a Dream" from "Les Misérables" is captured on the lower left panel through the girl from the novel's book cover. Finally, "Treasures Under the Sea" is portrayed through treasure chests and seaweed in the lowermost panel. Bold lines and reflective scripts are used to highlight the concert date as window shutters. The "Bi-Co" or bi-college is similarly kept in thick, sharp angles, with "Winter Concert" script kept in diminishing/growing font. The entire brochure design exemplifies symmetry and harmonious composition.

Drawn with pencil. The focus of this piece was to draw human eyes, brows, and a nose in accordance to correct proportions and realism. Note the shading, detail in the pupils, and how color is shown despite its absence.

Drawn with ink and pencil. This sketch was intended to show the artist's style of interconnected shapes with a human face. Curves, sharp angles, and continuous lines dominate this piece. Thicker shapes mark the lips, brows, and eyes. The eyes themselves are intended to unsettle the viewer with their empty gaze. Pencil was used to fill in the lower lip, eyes, and outline the flower in the hair.

Ink drawing of a Bharatanatyam (South Indian Tamil classical) dancer. The hand gestures are "Mayuram" which means peacock, and the pose taken by the dancer is a peacock pose. Hence, the body is surrounded by peacock feathers. Intricate details in the jewelry, lotuses in the hair, delicate feathers, and bold eyeliner are the focus of this piece. The pleats of the skirt, painted marks on the feet and hands, and bells on the feet, are all features of a Bharatanatyam costume.

Designed for American Association of Cancer Research (AACR)'s Poster Session on Cancer Genomics, commissioned by Dr. Kavitha Advikolanu. Title: "Evaluation of genomic instability, ploidy status, and P53 expression in archival paraffin-embedded tissue from primary ovarian cancer specimens." Poster (including Schematic Summary flowchart, Immunohistochemical and Flow cytometry pie charts, bar graphs, scans, and tables) created using Microsoft Powerpoint, Excel. Organized with goal of organizing 12+ sections of the research paper into several flows via box alignments, along with laying out graphics and scans in equal proportion. Each section is condensed, taken from Dr. Advikolanu's research paper of the same title.

Created using Adobe Illustrator. Brochure cover designed to incorporate each piece from the repertoire. Since one piece featured a looming mountain, a mountain with a cascade of music notes in a staff contains the rest of the illustrations. Since "Defying Gravity" was being performed, 9.8 m/s^2 (acceleration due to gravity) was crossed out beneath the witch's hat from the Broadway musical, "Wicked." Since Tchaikovsky's "Nutcracker Suite" was being performed, a nutcracker soldier is kept in the boat. Three snowflakes, drawn in the Celtic knot style, represent the "Celtic Folk Songs" piece. Since "I See the Light" from Disney's "Tangled" movie was part of the setlist, the sweeping riverboat from the lantern scene is kept at the base of the design. Showcase details are boxed to grab the onlooker's attention, and an original, hand-drawn font was created to accompany the festive, candlelight theme of a holiday concert. The rich maroon and white color scheme is meant to be bold and eye-catching from afar.

Drawn with ink. This sketch shows a slender hand holding a cigarette, and the illusions inside the smoke cloud. There are two eyes, fanning out like wings, and multiple crescent shapes are present. One crescent holds a ladder which pours down towards a figure, reaching out to climb it. Another crescent holds a swing, while yet another serves as a bed. A crescent ship with a figure on top sits next to an ocean. A crescent swings beneath the ship in the form of an anchor. The last hidden crescents are in the bindi/bottu of the face and in the eyes themselves to mark a line of symmetry. Finally, a face peers from behind at the cloud and the smoker. The style was meant to be surreal, dreamy, yet frazzled. The figures are inspired by Warli folk art from the Indian state of Maharashtra.

Freehand ink sketch of a South Indian Tamilian grandmother with two nose stud piercings. The style of her bottu/bindi is also associated with Tamil culture. For the sake of the sketch and in a break from the typical bottu/bindi, this design is repeated along the bridge of the nose. The eyes are slender and wing-shaped; the tinge of blue in them represents the onset of old age in a dark eyes. The hair is shown to be white and black, and bursting flowers are tucked behind both of the grandmother's ears. Her necklace is shown in the upper-right of the sketch. A hint of colored pencil was used to color the blue-green in her eyes and in her face. The lips are curved to indicate a hidden smile. This style is influenced by Bapu, a South Indian Telugu artist.