"Rainglobe: Trapped Angel" (2016)

Watercolor and ink painting depicting the threat to freedom of expression in the world, in society, in culture, and under oppressive governments. This freedom is crumbling and reflected in the shadows of vulnerable, multicolored dominoes. This piece demonstrates use of a vanishing point beyond the page.

Freehand sketch with pencil. This illustration is of Beomgyu, a Korean pop idol from the band, "TXT (Tomorrow by Together)". The aim of this piece was to practice drawing a three-fourths profile of a male subject. Focus was kept on bringing out the eyelashes, subtle lips, and hair. This was drawn in a realistic style, to test the artist's ability to capture a subject quickly.

Created using Adobe Illustrator. Brochure cover designed to incorporate each piece from the repertoire. Since one piece featured a looming mountain, a mountain with a cascade of music notes in a staff contains the rest of the illustrations. Since "Defying Gravity" was being performed, 9.8 m/s^2 (acceleration due to gravity) was crossed out beneath the witch's hat from the Broadway musical, "Wicked." Since Tchaikovsky's "Nutcracker Suite" was being performed, a nutcracker soldier is kept in the boat. Three snowflakes, drawn in the Celtic knot style, represent the "Celtic Folk Songs" piece. Since "I See the Light" from Disney's "Tangled" movie was part of the setlist, the sweeping riverboat from the lantern scene is kept at the base of the design. Showcase details are boxed to grab the onlooker's attention, and an original, hand-drawn font was created to accompany the festive, candlelight theme of a holiday concert. The rich maroon and white color scheme is meant to be bold and eye-catching from afar.

Drawn with ink. This sketch shows a slender hand holding a cigarette, and the illusions inside the smoke cloud. There are two eyes, fanning out like wings, and multiple crescent shapes are present. One crescent holds a ladder which pours down towards a figure, reaching out to climb it. Another crescent holds a swing, while yet another serves as a bed. A crescent ship with a figure on top sits next to an ocean. A crescent swings beneath the ship in the form of an anchor. The last hidden crescents are in the bindi/bottu of the face and in the eyes themselves to mark a line of symmetry. Finally, a face peers from behind at the cloud and the smoker. The style was meant to be surreal, dreamy, yet frazzled. The figures are inspired by Warli folk art from the Indian state of Maharashtra.

Drawn with ink. Figure on the left is a Hindu goddess, Sita Devi, daughter of the earth. Figure on the right is Sri Rama, the Hindu god of the epic "Ramayana." Here, in the Chitrakootha forest, we see Sita playfully stealing Rama's quiver of arrows and twirling one arrow out of Rama's grasp. Rama holds Sita's waist and shoulders his bow. Intricate linework shows the movement of the arrow, leaves and flowers stitched into Sita's skirt, jewelry, and crown, and lotus flowers in Rama's pants. He wears a thread and prayer beads around his body, and the fabric tied around his waist shows his sweeping movement towards Sita. The marks of divinity are on Sita and Rama's foreheads; they are surrounded with halos and hearts. Thicker lines outline key features of their bodies, and their hair is elaborately styled. The thin, simple bowstring is meant to contrast with the details of their garments. Their feet and faces are drawn stylistically, to show loving gazes and surreal beauty.

Created using Adobe Illustrator during Visual Design & Digital Making Virtual Summer Intensive, co-sponsored with LITS at Bryn Mawr College. The aim of the piece was to create a logo to represent Bryn Mawr College's annual tradition of Lantern Night. Hence, the college's color scheme of navy with canary and butter yellow. A curvaceous script was drawn to bring a sense of whimsy, in line with the enchantment of lanterns aglow in the dark. Open hands show the acceptance of light and knowledge. The design of the hands was broken up to highlight the palms and fingertips, and the dispersion of light particles is shown with the circles.

Drawn in pencil with minimal use of ink. This piece was inspired by a reading of the English epic poem "Beowulf." As part of a project to understand the character of the monster Grendel's mother, this piece was created. It was based on a photo taken by the artist of herself; from there, the image takes on a fantasy theme, with fangs, horns, and serpantine, curled hair. The idea for the piece was to disrupt the viewer's sense of Grendel's mother as being purely a monster. Here, she is shown to be a tearful mother in mourning, horrified at the death of her son. She screams through her pain and the path of a dark teardrop from her eyes is captured. The viewer is meant to feel discomfort at the human emotion in the eyes of what is otherwise an inhumane, terrifying being. Thus, this illustration forces the viewer to acknowledge her humanity, rather than simply reducing the female character into a villainous or seductress stereotype. Hence, the more humane parts of her (most of her face, especially her nose, eyebrows, and eyes) are shown in a detailed, realistic style, while the more fantastical parts of her are shown in a simple, surreal style (her horns, fangs, and voluminous hair). Note the enlarged pupils, the sharp fangs, and depth of shadow on her face, horns, and neck. An image of the draft version and the attempt to find angles in the breakdown of her face is provided below (scroll down).

Page 2 of Executive Summary targeted towards potential investors for Bloqcube Inc, a pharma-tech start-up. Designed using Adobe Illustrator. Highlighted company milestones, contrasted testimonials, and drew attention to competitive advantage graphic.

Sketched with ink markers. Piece depicts the Hindu goddess of beauty and wealth, Lakshmi Devi. Two lotus flowers are tucked behind her ears, and her golden crown contrasts with the blue tone of her skin. Lakshmi is symbolically shown with blue skin to indicate that she is the wife of Sri Vishnu (who is also depicted with blue skin in Indian artwork to indicate that his skin is very dark, akin to that of blue rainclouds). Lakshmi's facial features in this peace are meant to bring a sense of peace, and her hair is drawn stylistically in curls.

Drawn with colored pencil, pencil, and ink. The figure study is provided in the center image, the full draft is the image on the right, and the final image is on the left. An undercut style hairstyle, along with rich curls, auburn eyebrows, thin eyelashes, and contrasting fabrics were the focus of this piece. The shape of the body was brought out with shading. The hands were drawn stylistically, with curled golden shapes indicating some enchantment.