"Sita, Peacock, Parrot" (2013)

Designed for American Association of Cancer Research (AACR)'s Poster Session on Cancer Genomics, commissioned by Dr. Kavitha Advikolanu. Title: "Evaluation of genomic instability, ploidy status, and P53 expression in archival paraffin-embedded tissue from primary ovarian cancer specimens." Poster (including Schematic Summary flowchart, Immunohistochemical and Flow cytometry pie charts, bar graphs, scans, and tables) created using Microsoft Powerpoint, Excel. Organized with goal of organizing 12+ sections of the research paper into several flows via box alignments, along with laying out graphics and scans in equal proportion. Each section is condensed, taken from Dr. Advikolanu's research paper of the same title.

Drawn with ink. This sketch shows a slender hand holding a cigarette, and the illusions inside the smoke cloud. There are two eyes, fanning out like wings, and multiple crescent shapes are present. One crescent holds a ladder which pours down towards a figure, reaching out to climb it. Another crescent holds a swing, while yet another serves as a bed. A crescent ship with a figure on top sits next to an ocean. A crescent swings beneath the ship in the form of an anchor. The last hidden crescents are in the bindi/bottu of the face and in the eyes themselves to mark a line of symmetry. Finally, a face peers from behind at the cloud and the smoker. The style was meant to be surreal, dreamy, yet frazzled. The figures are inspired by Warli folk art from the Indian state of Maharashtra.

Drawn with ink and pencil. This sketch was intended to show the artist's style of interconnected shapes with a human face. Curves, sharp angles, and continuous lines dominate this piece. Thicker shapes mark the lips, brows, and eyes. The eyes themselves are intended to unsettle the viewer with their empty gaze. Pencil was used to fill in the lower lip, eyes, and outline the flower in the hair.

Watercolor pencil and ink painting of a woman, inspired by traditional African masks and South Indian Tamil style bottus (spiritual third eyes and marks of which Hindu deity one worships). This features the artist's love for finding and bringing out symmetry with geometric shapes in human faces, namely focusing on crescent, circular, and triangular shapes. Style is also influenced by Bapu, a South Indian Telugu artist who worked with bold colors and continuous lines.

Freehand sketch with pencil. This illustration is of Beomgyu, a Korean pop idol from the band, "TXT (Tomorrow by Together)". The aim of this piece was to practice drawing a three-fourths profile of a male subject. Focus was kept on bringing out the eyelashes, subtle lips, and hair. This was drawn in a realistic style, to test the artist's ability to capture a subject quickly.

Illustrated with pencil for a Drawing class assignment, in which students were instructed to create a piece that incorporated a hand, an object, and glass. Thus, this illustration is of a small, isolated, angelic figure trapped in a globe. A raincloud in the globe showers onto them, and the feathery drops turn into wings. Hence, the title of the piece. Meanwhile, outsiders attempt to offer comfort, represented by a hand holding a cocktail umbrella up to the glass. However, their efforts are futile; the figure is beyond their reach, and it will take more than a frail umbrella to shatter the glass. The figure, drafted in the second image below (you'll see it when you scroll down), has wrapped their limbs into a near-fetal position. They peek out at the hand, at the comfort being offered, but do not engage with it. Note the use of shading in the glass and wooden base of the globe, the high contrast of the figure's outline, a spot of light upon the glass, and the mechanical drawing style of the hand which breaks it into its simplest forms.

Brochure designed using ink. Each piece from the concert repertoire was incorporated. For instance, "Stained Glass Windows" was a general theme, hence the entire piece is framed into a classic, Gothic window. The upper panel represents "March of the Planets," the rose beneath the planets represents the "Roses" piece, and the upper-left panel represents "La La Land: City of Stars," in which Emma Stone dances beside 5-star film ratings and a streetlight (which is reflected on the right panel's border). The upper-right panel contains Georges Bizet's "Carmen" via a sweeping skirt covered with the hearts of men who fall for Carmen. The central plum symbolizes the "Sugar Plum Fairy," the reed flutes lining the lower left and right panels' edges are from the "Dance of the Reed-Flutes," all from Tchaikovsky's "Nutcracker Suite." "March" from "Nutcracker" is combined with the "March of the Toys" piece in a soldier-teddy-bear playing piccolo on the lower right panel. "I Have a Dream" from "Les Misérables" is captured on the lower left panel through the girl from the novel's book cover. Finally, "Treasures Under the Sea" is portrayed through treasure chests and seaweed in the lowermost panel. Bold lines and reflective scripts are used to highlight the concert date as window shutters. The "Bi-Co" or bi-college is similarly kept in thick, sharp angles, with "Winter Concert" script kept in diminishing/growing font. The entire brochure design exemplifies symmetry and harmonious composition.

Page 2 of Executive Summary targeted towards potential investors for Bloqcube Inc, a pharma-tech start-up. Designed using Adobe Illustrator. Highlighted company milestones, contrasted testimonials, and drew attention to competitive advantage graphic.

Drawn with ink. Each dancer is based on reference photographs of traditional Chinese classical dance costumes and traditional Indian classical dance/music costumes (Bharatanatyam, Odissi, Carnatic). Motifs associated with each culture, including a parasol and a sitar, are included. Each figure's costume, makeup, hairstyle, and accessories is distinct. Figures are arranged and layered on the poster to show people sharing classical arts and cultural spaces with each other. Motifs of the moon and the stages of love, which was the showcase theme, is included to the bottom left (moon phases) and bottom right (small hearts). Symmetry and balance was achieved by keeping figures in parallel poses and parallel colors. Finally, the cursive script used for the description stands in contrast with the showcase information, title, and the dance clubs' names (Mei-Kala). A bold, curved script was used to match the curves and angles of the performers' bodies. See "Indo-Chinese Classical Dance" (2024) to see final version of this poster.

Created using Adobe Illustrator during Visual Design & Digital Making Virtual Summer Intensive, co-sponsored with LITS at Bryn Mawr College. The aim of the piece was to create a logo to represent Bryn Mawr College's annual tradition of Lantern Night. Hence, the college's color scheme of navy with canary and butter yellow. A curvaceous script was drawn to bring a sense of whimsy, in line with the enchantment of lanterns aglow in the dark. Open hands show the acceptance of light and knowledge. The design of the hands was broken up to highlight the palms and fingertips, and the dispersion of light particles is shown with the circles.